A couple of month ago I started to experiment with other media within my art. I wanted to bring in another component to my work. My work is usually very soft, tactile, light, fragile and sometimes translucent. I was looking at opposed properties such as hard, solid, heavy and dense. Contextual practise is part of my art studies and the perfect opportunity to experiment, trying out new ways of doing and reflecting on the outcomes.

Here are some first experiments inserting flowers and petals into plaster and beeswax. It is interesting to see the decay and what is remaining of the petals, I especially like the negative space of the plaster, once the petals have been wilted and removed.

IMG_6722 IMG_6523IMG_6709 IMG_6519
I also experimented with cement, making concrete. These samples are fairly rough and I guess not very strong. I inserted all kinds of fabrics, mostly my own left over pieces like felt or silk threads. I like the hard/soft contrast and wonder how the look will change on a bigger scale? These ones are made in ice cube molds.

IMG_6727 IMG_6785 IMG_6786 IMG_6840 IMG_6843 IMG_6845

I just feel most attracted to concrete and it didnt take me long to understand that I have a connection with this hard, urban, strong material . Being raised in the 70s in East Berlin, concrete was part of my every day live. The house I lived in was made out of concrete, so was my school. My playground were building sites in my neighborhood and not to forget, the Berlin Wall always omnipresent.

In the next couple of weeks I will explore more of the material, see where this path is leading to.

 

 

About 500 leaves were stitched by members of my community in June and have been represented as an art installation at Mahara Gallery in Waikanae, New Zealand. Topophilia is a collective artwork, which conveys community bonding through creative activity.TopophiliaTopophiliaTopophilia_F2A8477 _F2A8466 _F2A8459_F2A8416Topophilia _F2A8511 TopophiliaTopophiliaTopophilia